Death opens us to The Now. But to reside in the now means passing through a little bit of death — every — single — moment.
Beyond Saturn’s boundary of rings, are the planetary stand-ins for the enlightenment drive and the mystical impulse: Uranus and Neptune (through envisioning and longing), pull our attention towards the future or the universal. But Pluto, Death’s ambassador, pushes our awareness deep into what I call the non-present. The awareness of no time, no place — a metamorphic marriage of now-ness with nothingness. Freud knew about this particular place and understood the longing that each of us has for it. He called that longing the death-wish.
Really? A wish? Sure. Death: It’s so quiet and peaceful over there.
You can identify this longing within yourself every time you visit a news site online and secretly hope to read about some new disaster or catastrophe that might signal that The End has finally arrived. Now. Who doesn’t want the grinding game to cease, to abandon the sandbox so everyone gets to go ‘home’? It’s not a desire to be ashamed of.
But you know how it goes. Our survival instinct is always trying to distance us from the death-wish — that’s its job, as a regulator of any species — to separate death from life, a divisive process that ultimately forces us to live ‘half-lives’. Small existences. A half-life is a numbed-out experience of reality. A frightened one.
Pluto is the corrector for this condition and assures that each moment is stillborn — it arrived but disappeared at the same moment. Is a tiny declaration for the death-wish. A kind of cessation that offers so much presence, so much is-ness, that you simply lose your head and just ‘are.’ There’s nothing to plan for, nothing to remember. One simply is a ‘nameless’ presence. So death allows us to live fully. But only in the present. A present where death and life are so tightly intertwined there’s no separation between the two.
With presence, there’s nothing for us to attach ourselves to. Nothing to box up and store away, or build a concept upon — there is just the experience of ‘is.’ This Plutonian mystery pulses in tandem with our heartbeat and declares: nothing stays, nothing lasts, all is in constant, passing, motion — including you. It’s horrifying and invigorating at the same time. The sense of freedom we experience when death is allowed to have a place at the table is mind-dissolving but also orienting. Where you should be.
Why? Well, as Hélène Cixous said: “I find my bearings where I become lost.”
So, take what I’m describing, that inner acknowledgment that feels so personal and private and maybe even sacred — your relationship to death — take that and apply it to what we’re experiencing as a collective, on a global level. Perhaps now we’ll begin to understand the bizarre behavior, the acting out, the meltdowns and high octane lunacy that’s unhinging the Old Order: Sociologically. Politically. Economically. Ecologically. Read more
Like my own life, I considered that my Bengal cat Liliuokalani would live a really long, long time. Like forever.
Yesterday, after a quick decline (her heart trouble bloomed in about a month) the vet, a hyper gentle, sensitive soul, administered ‘the shot’ and I held Lili in my arms while all the force of her feline instincts rallied to capture: One. More. Breath. Her frame twisting and turning, fighting against the void — her mouth yawned wide, her eyes dilated into black full moons — as she force-rode the border between living and no-thing. And then completed.
All of that moment is seared into my memory screen today. Hard to shake. It’s one of the bookends between our time together. The joy and sweetness of the very first day I met her and the bitterness of the ‘closure.’
In Portland two years ago I watched my stepmom go through similar contortions the day before she died — not as feral, but her body’s elongating and recoiling in the bed — a leg suddenly jutting skyward like a showgirl’s and then slowly curling downward/inwards towards the comfort of a fetal position. My aunt leaned over to me in the hospital room and said, “Well, she always was limber. Used to be a dancer you know.”
When they left me alone with Lili’s body I stood above her and marveled at the mystery. The eerie kind of invasion that overtakes the mind when confronted by life’s literal demarcations: One minute prior there was an animated beast cuddled in my arms — now — just this shell thing. A beautiful thing, but not Lili. A beautiful Bengal cat rug. Gurdjieff remarked once that: “Time is breath.” This must be true.
What’s timelessness about? I’m curious about this.
Even at home, an hour or so before taking her to the vet, Lili came shuffling out from the bedroom after she heard the distinct sound of a can of tuna being opened in the kitchen. Despite the fact that she’d no appetite. And then later in the living room, beneath a chair, she made a small lunge towards a sparrow that had landed on the outside deck. Bird was gone. But her attention wasn’t. She shifted again, fascinated now with a spider that was moving up the sliding glass door’s edge. Could she reach it to swat it? No awareness that in an hour she’d be lugged over to the vet and no longer be alive.
I want that. Not an unconsciousness towards the reality of my death, but a vibrant curiosity towards the last rattle that rides the demarcation. In her song Sweet Bird Joni Mitchell sings:
Out on some borderline/
Some mark of in-between/
I lay down golden in time/
And woke up vanishing.
Seems we’re always on this line, but we ignore its patient persistence to finally blur and then cut. We fill up the space and the time about our death with ideas, beliefs, theories, something some Buddhist told us, or maybe grandma’s ideas about Jesus and family reunions in heaven. Read more
Like many writers, some of my better efforts — especially of an astrological nature — inadvertently (from laziness) show up on my Facebook page and not on AstroInquiry, my website.
Because many people still do not interact with Facebook and because Facebook’s algorithms have become more restrained as of late — (meaning although I have thousands of followers/friends on the social network my posts seem to only reach people who live in teepees in their backyards) — I’ve decided to reclaim ownership of my writing and create periodic updates like this one to publish on my network: The MeBook.
I’ll do this periodically as my agitation builds to a tipping point. Maybe four times a year. I dunno.
Enjoy. Or maybe not.
Or just fucking follow me on Facebook and save me the pain.
If you’ve ever pondered the planet Mars’ rulership of the sign Scorpio, consider this quote from Scorpio president Theodore Roosevelt: “Get action. Do things. Be sane. Don’t fritter away your time. Create. Act. Take a place wherever you are and be somebody. Get action.” When Ted was a kid the doctors warned him that because of his questionable health any sort of heightened activity would kill him. And that warning was disregarded to the fullest extent of his body’s wild, unfettered spirit. The Scorpio spirit personified.
Camille Paglia unleashed in a rip-roarin’ Salon piece: Covering the Don, the Clinton Creature and the Prince! Fab.
As I mentioned in another post: Camille’s the only critic I’ve read that’s tuned into and teased out Prince’s Scorpio ascendant (ala the voodoo element). There’s always mention of Prince’s manipulation of sexual imagery and bombast, but with Prince it was transgressive in a way that made his 80s peers — especially Madonna — seem conventional.
Too, his persona’s decadent arc: Rent-boy to silk and lace dandy — yes! — also very Scorpio ascendant. The extremes. The larger arc, with Scorpio’s all-or-nothing demeanor? S&M rent-boy to monkish Jehova’s Witness. All the same trajectory.
Nothing in the 80s can match his LP Dirty Mind and its taboo-shattering (a song dedicated to incest, etc.) array of tracks. Yes, the themes, lyrically, were transgressive, but the construction of the music itself was voodoo-ish and hypnotic. Once the album got on your turntable it was impossible to turn it off. Spooky magic.
Learn Astrology Via Cartoons!
Here’s a Mars in Pisces individual in the planning stages of his day:
My last Prince post; ’cause it’s gotta stop now.
So I just finished playing Purple Rain from top to bottom, something I haven’t done in years because we’d played the record so many times in its entirety back in the days (it’s probably the last album that required that sort of commitment — total immersion or nothing).
And I’m speechless — but will write some stuff out anyway.
PR reminds me of a masterpiece painting, like something from Caravaggio. A bizarre comparison but Caravaggio had a prescience that brought Hollywood glamor lighting/chiaroscuro charisma to the most solemn of subjects, and Prince does that with PR. He’s showing/playing you the joy of creating some kind of prototype of musical perfection. Like a Mozart concerto or Miles Davis solo.
Celebratory giddiness is pressed hard against the ache, devotion, and itch of unrequited love, religious fervor and sexual obsession. We kind of forget about that amalgam when we think of Purple Rain. The muscularity of the musicianship is shocking. Airtight. Like a coded transmission from another galaxy: “I’m not a woman I’m not a man. I am something that you’ll never understand.” A gorgeous thoroughbred horse standing proudly amidst admirers.
But really: No words. Just put it on again.
Presently. (Full Moon in Scorpio conjunct my natal Moon.)
“People who have a nice, healthy connection to their crotch have a better connection between the head and their heart, and in a land of sexually healthy people we’d have less crime, less poverty, less divorce, less drug use and fewer right-wing Republicans.” –Larry Flynt
“The gradual disappearance of the sacred from the world, and the consequent shrinking of the human being, starts with the desacralizing of the cosmos in the Biblical law and in the empirical science of Aristotle and culminates in the flattened-out, merely measurable universe of post-Renaissance science
The sacred has withdrawn into the domain of private inner experiences where the sacred and the spiritual, as gifts from above, are confused with the grasping and exploiting “psychological.”
It is not surprising that the most blasphemous act of modern science has been the desecration of the sun, by copying on earth its release of hydrogen energy (by a mathematics and physics no longer connected with wisdom and the good, as for us the sun is no longer connected with the wisdom and the good), wiping out whole cities in seconds.
Nothing could better illustrate, at one and the same time, our secret contempt for the dead, dull, natural world we have conceived and for the egotistic power-structure which we call “civilization.””
— Henry Leroy Finch
From the essay: The Sacred Cosmos: Teachings of G.I. Gurdjieff