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Ponder on This
"This universe of ours, what is it really? Here we are, centres of consciousness, surrounded by a buzzing confusion which we must try to understand. But we are of the selfsame stuff of the universe -- perhaps ultimately a cloud of energy interacting with other clouds of energy -- and on that account we are in the role more of participants than observers. We cannot distance ourselves from our ambient, hold it at arm's length for impartial scrutiny. This fact has been heavily underlined by modern physics since it sets limits to our knowledge. What we experience is not external reality per se but our interaction with it, so that in a very real sense we are constructing our universe from ourselves."
"Astrology is an art, rather than a science or a system of religious beliefs. But what, then, is art? The artist mediates between different dimensions of life. The images, sounds, words and forms which the artist utilises are languages which can communicate the meaningful patterns of levels of reality which would otherwise be incomprehensible or incommunicable to the rational mind. When we are affected by art, it is because the work speaks to us on many levels: intellectual, intuitive, emotional, visceral."
"People who dismiss astrology do so out of either ignorance or rationalism. Rationalists have their place, but their limited assumptions and methods must be kept out of the arts. Interpretation of poem, dream or person requires intuition and divination, not science."
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A Bit of a Bio:
Astro Inquiry is published in Washington State -- beaming out from Vashon Island. When I was 14 years-old, I made the dogged effort to write to as many astrologers in California as I could, seeing which, if any would take me on as a student. I lucked out with my teachers Ivy Goldstein Jacobson and Margaret Latvala, and studied with them through my high school years. A year later I became a member of Llewellyn George’s Educational Astrology organization in Los Angeles. I helped write, edit and publish the group’s quarterly newsletters... continues
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Consultations
New Cosmix: Autumn 2 Winter 2015
Autumn on the islands that dot the Puget Sound is particularly wistful.
Fog floats inland frequently from the bay — shifting the terrain’s palette dramatically. The red and yellow foliage are made doubly loud atop grey mist.

 The damp ground littered with gorgeous debris. It’s epic.
Fall’s the season that reminds you of how everything — once present — is passing away; you’ve limited time — the impermanence of The Ten Thousand Things.
Winter and summer arrive like well-defined stage sets. Static in a way. Spring works subtly on the part of our nature that leans towards hope, a new tomorrow, love affairs, cleaner homes, it’s easier to take for granted. Summer is really hot.
But autumn. It will mess with your head.
My new Cosmix leans into the melancholy but also pulls back enough to offer a shock or two along the way. It’s a bit like tantra — lots of rubbing and then moments of release which explains how Gorgon City‘s Fuck the Pain Away made it into the melange.


I was drawn to female vocalists this season. And so pop-ups from Kate Bush, Jackie DeShannon, Agnes Obel and Sade dot this soundscape. Sade’s Bullet Proof Soul is one of the most fearless songs in the history of unrequited love songs. Gets me every time.
Enjoy!
Love,
