Ray Grasse, the author of one of my favorite books on symbolism, The Waking Dream: Unlocking the Symbolic Language of Our Lives, posted this on Facebook awhile back. He noted:
“Hard to describe the impact this piece had on me as a 19-year old, listening to it on a small tape recorder during a camping trip in Wisconsin under an impossibly starry night sky. Especially good for late-night listening. For those who don’t already know, Holst boned up on the astrological meaning of each planet when composing each of his pieces for The Planets suite.”
“Americans like to refer to one of the old Zen stories about how a master took a wooden Buddha image, chopped it up, and made a fire, warming himself by its flames. Seeing this, a monk asked, ‘What are you doing, setting fire to the Buddha?’
The master replied,’Where is Buddha?’
The opposite goes in America. In America we want to burn the Buddha images to begin with. You see, that monk was stuck in the image, stuck on the form. In America, we are antiform, so the pointing goes in another direction. If you’re attached to neither existence nor nonexistence, you manifest a sixteen-foot golden Buddha in a pile of shit and rubbish, appearing and disappearing.”
– John Daido Loori
“Consider for a moment that sound does have form. And we’ve seen that it can effect matter and cause form within matter, then take a leap and think of the universe forming. And think of the immense sound of the universe forming.”
– Evan Grant
Zombie survival guides. Alien interventions. Super bugs. Reality show raptures. Economic cliffs. Anti-Christ-Palooza. Terrorists and Tiaras. Bit coin. Gold coins. Gluten. NSA. GMOs. Homo-trimony. The new Arcade Fire album.
Signs, symbols and Zeitgeist stingers. Time traveling omens from Armageddon are the stock and trade of our modern day narrative. The stories and anxieties we lay down and fret about until the Ambien kicks in. But why such a narrow bandwidth? Where’s the bigger, wider picture? The range of other frequencies?
Scenarios of doom monopolize our inner landscape because speeding up to the end means a new beginning is just around the corner. That’s one theory. The catch of course is the way we resist other narratives. It’s critical now to think beyond of the parameters of being a garden-variety human being. This is the nut of the ‘message’ from the ongoing, exact as of today, again, for the fourth (out of seven swipes) Uranus Pluto square.
When food, money, energy and optimism are scarce we become attached to whatever sort of hoard (be it our meager amount in savings or the way Plutocrats hog all the wealth and investments in their seemingly exempt world) we’ve come to associate with as a means to see us through to the new phase. The catch? You can’t cross the river in a boat and then take that boat with you as you explore the new world. It’s too cumbersome and defeats the purpose of surrender.
So we’re looping right now. Sort of like animals do before being eaten by a predator. You’ve probably seen shots like this on those nature shows you watched as a kid. The prey runs around and around in a circle, hysterical, before the killing bite is administered by the predator. Right?
Our inner animal is a bit freaked. So, like your pet, you need to assure it all will be well. You’ll take care of things and keep the wolves away from the door. Do that for your inner critter, you’ll gain a lot of traction in the process.
The weirdness happens when we observe ourselves observing others and the world we coexist in. If we’re not dwelling on our own crisis of faith, then we want to read about it in the news or watch it in a sci-fi or horror film; a tacit way of confirming that everyone’s sort of fucked up at the same time.
Fact or fiction doesn’t matter — just that we’re seeing clearly that everything is caving in — that’s the essential ‘meaning’ behind the obsessive imagery we circulate and share and post and tweet about it — over and over and over. It’s the Hologram of the Season. The reality bite that keeps on biting.
As I’ve already mentioned, I associate this End of Days meme with the fourth swipe between Uranus and Pluto. The number four makes things sharply concrete; there’s less of a feeling for a creative outlet with four, like there is with the number three. Four is two plus two which feels like two sides against two other sides — the nature of two being opposition and discord. A doubling up of angst.
My field notes show that Uranus is associated with time warping. A hybrid process of time speeding up, which means our subjective experience of time is altered and tweaked out — it kind of forces us to feel and peer into the future, despite our best efforts to avoid perception. This quickening happens via Aries. So the sense of urgency, to remove constraints, shackles, anything that limits freedom, imparts that time bomb feeling. Tick tock. Uranus becomes the hair shirt we’re wearing. It’s exciting to think about it except for one small impediment:
Pluto is akin to a black hole generator. When our awareness is touched by Pluto, nuclear fission occurs; meaning, we phase between one reality and another reality in such a way that forces us to leave the former reality and pop into the later reality which, to our animal nature — our survival drive — is associated with annihilation of the former, and so, well, we balk and freeze and hover. And yet the worm hole beckons.
Sometimes things don’t go at all,
from bad to worse. Some years muscadel
faces down frost; green thrives; the crops don’t fail,
sometimes a man aims high, and all goes well.
A people sometimes will step back from war;
elect an honest man; decide they care
enough, that they can’t leave some stranger poor.
Some men become what they were born for.
Sometimes our best efforts do not go
amiss; sometimes we do as we meant to.
The sun will sometimes melt a field of sorrow
that seemed hard frozen: may it happen for you.
Painting by Paul Klee. Ad Parnassum 1932.