The purpose of this post isn’t going to be about what you think it’s going to be about.
You read the word imagination in the title, but actually I’m going to talk about the word in a different way.
And so this little exchange will be a good example of how the mind works when Mercury is retrograde. Or rather what we see about the nature of our habitual mind and the way it works. Which is usually predictable and reactive — thinking but not really understanding.
Mercury retrogrades can be a fortuitous time to foster understanding, because the mental process of the mind is heightened, more engaged and possibly — with a little effort — more present. In fact, compared to its normal rhythm, the mind is liable to feel charged with Mercurial quicksilver.
So what I’m talking about here is this:
You read a word, it triggers an association within your mental data bank — but it’s the wrong association. The impulse travels along an old, worn groove, but it’s not the right groove. You end up where you didn’t expect to end up.
And this is why when clients talk to me about how to best align with Mercury retrograde I advise: “Pay attention, things won’t be what you think they are going to be.” Meaning, your old way of seeing everything in the same familiar way is unplugged through the retrograde phase. Read more
Like Walt Whitman, Hopkins makes a fascinating play of language — where his word picks stack and accrue into an incantational pressure. A genius gesture, because after a spell you aren’t quite sure what you’re reading and translating, but you don’t care. It just feels good.
And so you read his poem again (and again).
And then, in the end, the lid of your head comes off and all the grandeur and the beauty and the space and the mystery comes tumbling in.
Glory be to God for dappled things –
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced – fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Painting: Monk by the Sea by David Friedrich
I know, it’s been awhile, right?
Whenever I need to paint I start mixing music together (rather than paint). If only to lubricate the muse.
I have an art opening in less than two weeks and the mojo matrix first needs tweaking and seducing to welcome me with open arms. That might read like it’s a complex process, but really it’s fun. And sort of a ritual/tradition for me.
In art shows from my past, and even in the acknowledgments for my first book, I listed music playlists in the artist’s statement. It only seemed fair. Art begets art.
The title for this 51-minute Cosmix is lifted from Beck‘s song Motorcade, it seems fitting given the tenor of our times.
These toys are all lifeless
The armor’s worn off
The shadow of a shadow
Is the ghost of a bomb
In a desert alone
A helicopter searchlight
Is searching for no-one
We’re all pushing up the tin can mountain top
The smokestack clouds with glory attached
My mom turns 85 this year. And she is still a raucous, vibrant, glinting gem. It’s interesting to me that when I hear her voice on the phone she sounds like she is in her 40s.
I’m grateful that both of us lived this long to move into a phase of our relationship that is so relaxed and friendly. (I think 30 plus years of counseling, therapy and spiritual practice — on my end –might have helped with that).
Too, it’s peculiar how as I age I seem to be catching up to my mom. Like the time gap is closing, the parent child matrix falling apart.
Gurdjieff once noted that we don’t really understand or can know what it feels like to be truly alone in life until our mother has passed; and more and more I sense the truth in this sentiment. Which fuels more of my gratitude.
To all the moms out there. Thank you!
“You see, Wally, the trouble with always being active and doing things is that it’s quite possible to do all sorts of things and at the same time be completely dead inside. I mean, you’re doing all these things, but are you doing them because you really feel an impulse to do them, or are you doing them mechanically, as we were saying before? Because I do believe that if you’re just living mechanically, then you have to change your life.”