March 03rd, 2014

Oscar’s Glamour and the New Slave State

oscars_astrology

The Oscars is never a one-day happening. 

There’s the day before, when all of the Xanax supply in Hollywood is emptied out to oblivion, sending Pfizer’s stock to the moon. And where the plebeians plan their evening and guest list around the event. Like the Pope coming to town, for the Catholics who like to tailgate.

And then there’s the day of — where, once again, the collective mindset has revealed to its bad self that — albeit unconsciously — Hollywood (well, Los Angeles really) is not just a city but an entire thought-form that has replaced the spiritual instinct for most Americans. “I’m headin’ West, gonna become a star!”

From the blue whales in the Ocean of Auteurs, to the krill that hanker each week for the kitsch of The Real Housewives of Orange County — no one escapes what occultist Alice Bailey deemed in her book (titled the same): Glamour — A World Problem.

Now, this of course is different on the East Coast, where it is DC that holds the lure. But DC’s a version of power and fame that skirts very close to a sort of primal/tribal evil — so it isn’t as sparkly and ‘fun’, but as a bloodsport we Americans do honor it, but not in the line of beauty, the way we do Los Angeles. As Clinton-Gore strategist Paul Begala once noted: “Washington is Hollywood for ugly people.”

And then there is the day after the Oscars, which many of us have lived through today. It’s rare to hear someone announce and be proud of it, like in the old days, that they don’t own a television or “I never watch the Academy Awards.” Even when I do hear that, I sense lying and perhaps shame, in the same way I’m certain the parents of the Little Match Girl didn’t want that story leaked or linked to their family line. Read more



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August 28th, 2013

As The Eagle Flies Crashes

So, say you have a dream. And it goes like this:

A large imbecilic Christian congregation releases a bald eagle into its enclosed amphitheater. Beleaguered eagle flies about in a circle as congregation chants “USA! USA!” Said eagle then crashes — “USA! USA!” — into a glass window and plummets to the ground.

Any unravelers wanna take this on?



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October 11th, 2010

J.B. Priestley: The Tower and the Birds

fukase

“I was standing at the top of a very high tower, alone, looking down upon the myriads of birds flying in one direction; every kind of bird was there, all the birds in the world. It was a noble sight, this vast aerial river of birds.

But now, in some mysterious fashion the gear was changed, and the time speeded up, so that I saw generations of birds, watched them break their shells, flutter into life, mate, weaken, falter and die. Wings grew only to crumble; bodies were sleek and then, in a flash, bled and shriveled; and death struck everywhere at every second. What was the use of all this blind struggle towards life, this eager trying of wings, this hurried mating, this flight and surge, all this gigantic meaningless biological effort?

As I stared down, seeming to see every creature’s ignoble little history almost at a glance, I felt sick at heart. It would be better if not one of them, if not one of us at all, had been born, if the struggle ceased forever. I stood on my tower, still alone, desperately unhappy.

But now the gear was changed again, and time went faster still, and it was rushing by at such a rate, that the birds could not show any movement, but were like an enormous plain sown with feathers. But, along this plain, flickering through the bodies themselves, there now passed a sort of white flame, trembling, dancing, then hurrying on; as soon as I saw it I knew that this white flame was life itself, the very quintessence of being; and then it came to me, in a rocket-burst of ecstasy, that nothing mattered, nothing could ever matter, because nothing else was real but this quivering and hurrying lambency of beings.

Birds, people or creatures not yet shaped and colored, all were of no account except so as this flame of life travelled through them. It left nothing to mourn over behind it; what I had thought of as tragedy was mere emptiness or a shadow show; for now all real feeling was caught and purified and danced on ecstatically with the white flame of life. I had never felt before such happiness as I knew at the end of my dream of the tower and the birds.”

J.B. Priestley‘s dream as recounted in his book Man and Time
 
 

Photograph by Masahisa Fukase from The Solitude of Ravens published by Bedford Arts.


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